Now that I am of that age where retirement is closer than the climbing years, I often think about this idea of legacy. Like Ozymandias, does my ego get left behind like a plaque outside of a teacher's room "This room belonged to Ms. Beth Powers who taught at Kamehameha for 50 years." The plaque does not talk about her disdain for us brownies, or the way her red pen slashed through our essays like a knife carving out vitriol with each stroke. It does not talk about her blatant racism towards us dumb Hawaiians or the colonizing arrogance that she, not even an English major, was the best choice to enlighten the illiterates for 50 years. If the generational trauma she left behind for 50 years is what a legacy is about, let me walk quietly through the exit doors, silent as the mist, anonymous as a shadow let me be a wondering by random strangers long after I am gone.
When I am weary, I remember a picture of my grandmother, Mary Uilani Kaumeheiwa Sodetani. She is sitting on the puʻunene with her feet up Her long legs stretched out toward the ʻAuʻau Channel Her blue bandana Her long, brown arms clasped gently around her stomach Her eyes looking into her beloved yard. Once as a young child, after some nasty comments my grandfather said to her, and after his swearing that stuck out to my young ears as sounding very much like the way my father talked to my mother, I asked grandma, "why do you let him talk to you like that?" Her eyes were tearless, steady. She looked at me and the sides of her eyes crinkled and her mouth, in the side smirk said, "I just let it go one ear, and come out the other." I thought as a kid it was a way of forgetting. As she stared into her yard in that picture, I always thought it was what Sandra Cisneros described in House on Mango Street, "My Name," She looked out the window her whole life, the...